Tomorrow I'm going to see a
colleague to discuss my writing. I gave him 10 pages of my in-progress
manuscript a couple weeks ago and he now has some comments to make. He's
published half a dozen books, so I decided to ask him for some input.
It's a weird thing to hand over
some writing, to gut yourself like a fish and then wait for the reaction. But
at this point I'm smack in the middle of the attempt to write this blasted
thing and I go back and forth between feeling completely crushed and
overwhelmed by it, and feeling as though I'm almost ready to break through the
wall of "stuckness." A different reader/critic might help. We'll see.
I have a new friend who emailed
me today with wise and perfectly timed words. Among them: "The point is, I
think, the longer the project, the more lows and highs you will have. And, my guess is, the longer the project, the lows are even
lower, the highs higher (hopefully)." I might have known this already, but
I hadn't identified it consciously. All I knew is that every few days of work
on the book, I have a horrible bout of devastation/hopelessness/near-paralysis
and lie curled up on my bed crying. I end up back at "Why am I even
writing this (expletive) book? What is the point?" Then I take the
endorphins provided by the crying and get up and do something different
(dishes, usually) and reevaluate.
It was good to hear these words
of wisdom from this friend and fellow writer. I'm often overlooking the
obvious, and although I've said the words "This is the longest, most
difficult writing project I've ever taken on," I somehow don't give it
permission to knock me down and pull me back up as much as it does. I think you
need to do that, to have sort of an agreement with it. So I'm giving it
permission now.
How could it not be this hard? I
have to revisit scene after scene with my father, both in his sickness and his
health, his decrepit final year and his younger, snappier ones. And then I get
a really unexpected twist (it perhaps shouldn't have been unexpected, but it
was for me) when I discover after 70,000 words in, that this book is at least
as much about myself as it is about my dad. This is the way of the
"memoir." It's unavoidable. As my close friend Connie says, "Or
else who is writing it?"
Today I was driving to my hair
appointment and was in a writing trance. It was as though the book were riding
in the car with me, coaxing me to see it more clearly, like when you have
someone's name on the tip of your tongue. As I was sitting in my salon smock
thingy, waiting for my turn, I was apparently so transfixed on staring out the
window that Brenda, my hairdresser for 20 years, stood and watched me,
wondering what I was thinking about, before she finally called my name.
You know what's great and scary
at once? Feeling that deep immersion into the project itself. It's a
combination of three things: exhilaration over the closeness to the work, the
cold anchor of existing in a pocket of isolation (just you and the constant search
for the slow skeletal building of the book), and the realization that there is
no abandoning this wretched thing until it's finished.